Adam Kirsch reviews The Jews of San Nicandro in Tablet Magazine: According to Davis, a professor of Italian history at the University of Connecticut, the Jews of San Nicandro represent “the only case of collective conversion to Judaism in Europe in modern times.” . . . What Manduzio read in the Old Testament amazed him. He became convinced “that Jesus had been a prophet but not the Messiah” and that the fallen state of the world—so full of poverty and suffering—was proof that the Messiah had not yet arrived. When he read that God had established the Sabbath on Saturday, he could not understand why Christians celebrated it on Sunday. Salvation, he now decided, “lay in following the Law of the God of Israel as it had been given to Moses on Sinai. … Those seeking salvation and comfort must therefore learn to observe the Law of the God of Moses, forsaking other gods and idols, and following the path of the righteous.” This is exactly the kind of conversion experience that led so many Pro...
"Wherever the spirit would go, they went, and the wheels rose along with them; for the spirit of the living creatures was in the wheels."
ReplyDeleteIt is interesting that you quoted this passage.
You may know Alexander Isaievitch Solzhenitsyn wrote a great number of volumes on the bolshevik revolution entitled the "red wheel" where the wheel i.e. the machine is in fact seen as crushing men, and spirit. In Ezekiel's vision everything is being reversed. Spirit dominates matter. In fact this reminds me of a little known text by Vassili Grossman, one he wrote after having contemplated the famous work by Raphael (http://www.skd-dresden.de/media/300_sixtina.jpg) before it being sent back to Germany in 1955.
If you read french:
"Un récit de 1955, La Madone Sixtine, livre une clé pour l'oeuvre : le tableau de Raphaël, tant aimé par Dostoïevski, fut exposé à Moscou avant d'être restitué à Dresde. Staline inspecte le tableau en caressant ses moustaches. Grossman à son tour s'approche du tableau et voit la jeune Madone au regard si triste, l'enfant si grave, il aperçoit « la force d'esprit qui se matérialise », une énergie qui se fait chair et qui inverse la découverte d'Einstein, il voit Treblinka, Kolyma, toute son oeuvre future."